Sara Gowen has been writing for a number of years in a range of fictional forms, including two unpublished novels. She has recently started to write creative non-fiction as a way of exploring the power of fiction but within a political and social world. Sara uses this to explore issues of social justice whilst at the same time letting her imagination flow. Sara is part of a women’s writing group and, through their encouragement, this is her first published piece of creative nonfiction. Sara works full time managing a charity which supports young carers, lives with her partner and is adjusting to the next stage of her two daughters’ lives, and the time and space it gives her to explore her writing. Her non-fiction piece Wedad will feature in Words And Women: Four.
Helen
Morris was born and grew up in Edinburgh, her first short story made it
to the final of the Scottish Arts Club Short Story Competition. There's
a Wee Bomb Upstairs is her second short story -- unless of course you
count Thomas the Cat in the school magazine when she was
eight. She is currently working on a novel. At the time of writing, no cats are
featured but there may just be the odd bomb . . . Helen’s
story There’s A Wee Bomb
Upstairs will appear
in Words And Women: Four.
Shiona
Morton is Scottish drama teacher who turned to playwriting in her
forties. Her first play Baby Bank was produced at The Everyman Theatre
in Cheltenham in 2004. Since then her plays have been produced by theatre
companies throughout the south-west. At the Hop was published in Three
Plays for Rural Audiences. Five Things, a play for young people, has
just been published in Kaleider’s Book of
Ancient Sunlight. Shiona’s first foray into story writing, The Boy In The Bivouac, will be published
in Words And Women: Four.
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