Red
Room is a book with a wild and windy moor locked inside. It is a wonderfully eclectic and
strongly evocative collection of new short stories inspired by the Brontes.
Moor-life, having lived on one, is solid and ephemeral, shape-shifting and
violent, enduring and majestic.
The moor and the hardships
and early deaths of those who lived at Haworth and lower down the hill
would have laid siege to the imaginations of the Bronte sisters.
This
moor passion is reflected in the anthology which contains a whole weather
system of emotions and moods.
Edited by A.J. Ashworth, the collection hosts some marvellous writing
from a pantheon of prize-winning writers.
Reading this slim book of 120 pages feels like real travel into a
landscape of resonance and echo.
It is exciting and compelling, packed with quiet grief, mischief,
delicacy and surprise. It can be quite a game to track the allusions to
Bronte-work although some of the stories such as Alison Moore’s satisfying and
subversive, Stonecrop, heft the
inspirational starting point under the title. Helpfully, the editor has
provided a section at the end of the book called Inspirations, where the
authors reveal the Bronte nugget that gave rise to their narratives.
Simon
Armitage’s brilliant elegy Emily
B, ‘Too much rain in the blood/too
much cloud in the lungs.’ acts as
the book’s opening marker. It is
followed by some great stories. Ashton
and Elaine by David Constantine is
beautifully written and movingly charts a near-mute child subject to adult
cruelties in a landscape of ‘hard, ungiving earth,’ but a landscape that
cradles a seam of tenderness. The
slow, developing relationship between the lost boy and Elaine is slowly
unfolded with compassion and love.
Carys
Davies, short and poignant Bonnet,
is a masterclass in loneliness, unrequited love and control. It recreates a
fictional meeting between Charlotte Bronte and her handsome publisher, George
Smith. Sarah Dobbs, Behind
Closed Doors is easily one of the most
powerful and memorable short stories I have read this year. The story of young Henry invisible
inside a house of childhood grief after the death of his mother. The darker
stories in the collection are offset with comic, playful and tricksy story-telling,
whether Bill Broady’s meeting
between Heathcliff and Sherlock Holmes or Zoe King’s Dear Miss, comprised of letters between Emma Woodhouse and Jane
Eyre.
Unthank Books have created a beautifully designed book which is also raising funds for
the Bronte Birthplace Trust. It is
a proud, wilful, wonderful read for those who love the Brontes and anyone who
appreciates great writing. Buy a copy for a loved one this Xmas!
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