As promised, here is
more of Sarah Poulton’s advice for budding journalists. On Wednesday we gave
Sarah’s dos and today we give you her don'ts.
Sarah has worked for
mainstream magazine publishers such as IPC Media, National Magazine Co and BBC
Magazines and, most recently, the Telegraph, where she was deputy editor of Special Reports.
Don't underestimate the importance of structure. It will help to make your piece
clear and readable. That said, don't be afraid of experimenting. There are many
ways to structure a feature and if everything is chronological it gets boring.
Don't complicate unnecessarily. Make sure your piece has an
introduction that hooks the reader and keep your language simple, active and specific.
Let paragraphs suggest each other, link them unobtrusively and include an
ending.
Don't assume your editor knows what she wants. If you are commissioned to
write a piece, try to get the editor to spell out what s/he has in mind and
make suggestions if you think it would strengthen the feature. Once you've
submitted it, be prepared to re-write or add to your copy at no extra cost.
Don't badger an editor if you submit ideas and they
don't get back to you.
Wait at least a week then email or call to remind them about your submission
and that you exist. Sometimes, editors commission the first appropriate person
whose name pops into their head.
Don't wait until you've submitted a feature to inform
your commissioning editor why it doesn't work. Get in touch as soon as you
identify a problem. Your editor WON'T thank you if she has to publish something
there wasn't time to replace.
Don't expect to earn a lot, particularly when you're
starting out.
Even once you've become an established contributor word rates may be slashed.
That doesn't mean you shouldn't stand up for yourself if you genuinely feel
you're worth more than is being offered. Just be aware: you may lose the
goodwill of your editor and scupper your chances of working for that
publication again.
Don't assume journalism is just for the young. Freelance contributors come in
all shapes and sizes. And life experience is invaluable if you're a writer.
Don't be precious. You can't afford to be. If a new editor offers
you the chance to write for her but it's an advertorial rather than a
full-fledged editorial feature, see it as an opportunity. She may be testing
you out. And look on the bright side, advertorials tend to be better paid than
your average feature for the work involved.
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